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“I think [film studios] still see women as a risk, and I’m not really sure why,” she said at the Tribeca Film Festival.
Gender inequality in Hollywood — along with racial discrimination — has become one of the most stirring issues in the entertainment industry over the last few months.
However, at a Tribeca Film Festival event in which film and theater director Julie Taymor interviewed Jodie Foster on Wednesday evening, Foster said she’s “sick of the women thing” when it comes to conversations about directing. Though Taymor seemed to agree with Foster’s sentiment, she added, “We don’t want to ignore it either.”
“It’s real,” Foster assented. “It’s been a very long time that there are very few female filmmakers. It’s not just today, it’s not just this week. I mean, that’s always been true. Things changed a lot in Europe, for example — lots of female directors; in television, quite a few female directors.”
When asked why she thinks that’s been the case, Foster continued: “I think the more financial risk … the less risky studios can be. … I think they still see women as a risk, and I’m not really sure why.”
Foster, who began her acting career in the ’60s and made her feature directorial debut in the early ’90s, said she’s noticed “differences between men and women directors.” “Sometimes it’s hard for people to understand how to treat me as a leader,” Foster said of her time in the director’s chair. “They are sometimes waiting for me to punch them in the face, which I’m not going to do. Or sometimes they are waiting for me to say, ‘Oh, your idea’s so smart. Let’s just do it your way.’ … Sometimes it’s confusing for people. … Do they treat [women] the way they treat men? And maybe you don’t because women have different leadership styles.”
“I wasn’t sure about that, but I see that it’s true now,” she added.
Foster noted she’s “worked with a lot of men directors,” but only one fellow female director in her acting career: Mary Lambert, who directed her in the 1987 film Siesta.
>But Foster did say she has a “favorite female director”: The Silence of the Lambs’ Jonathan Demme. “He was the one guy who really understood,” she explained. “He was able to say, ‘OK, this is about a woman who is our hero.’ The film was informed by that. It’s why the film is not filled with gratuitous violence. It’s why, yes, it was horrifying and difficult to watch in some ways, but … he’s the brave heart of that woman’s voice.”
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